Speakers

Roko Belic Carlos Bolado John Chater Sophie Constantinou
Gail Dolgin Bob Elfstrom Jon Else Karen Everett
Sam Green Vicki Funari Vivien Hillgrove Carrie Lozano
Frances Reid Kim Roberts Jay Rosenblatt Kris Samuelson
Jason Spingarn-Koff Michael Smith Caveh Zahedi

Roko Belic
Roko Belic worked on a film for the first time when he was seven years old. A friend borrowed a super-8 movie camera from his parents and, together with Belic's brother Adrian, the team created a number of animation epics and Star Wars ripoffs. In 1989 Belic enrolled at the University of California at Santa Barbara, majored in studio art and studied Russian, Swahili and Arabic languages. Having made films sporadically throughout his educational career, Genghis Blues was the first film he made as an unemployed adult. Genghis Blues won the Sundance Audience Award 1999 and was nominated for an Academy Award in 2000. Currently, Belic is working on Twilight Men, which he shot over the past four years in the Himalayas. The film, a collaboration with writer/filmmaker Folco Terzani, tells the "true" story of a Western seeker and an Indian holy man whose lives intertwine during a search for an enlightened master. Weaving a fictional narrative out of primarily documentary footage, the filmmakers are creating a “true film” experience - halfway between reality and illusion.
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Carlos Bolado
Carlos Bolado received international recognition in 1991 for his editing of Like Water For Chocolate (Como Agua Para Chocolate) and for Like a Bride (Novia Que Te Vea), winner of the Toronto International Film Festival Audience Award 1993. Bolado has edited twelve other feature films in Mexico and edit doctored many films including the Mexican feature Amores Perros. Bolado's 1999 directorial feature film debut, Bajo California, El Limite del Tiempo (Under California, The Limit of Time), was selected by film festivals worldwide and won numerous awards including seven Mexican "Ariels" (the Mexican "Oscar") for Best Film, Best First Film and Best Editing, the Audience Award for Best Feature at the San Francisco International Film Festival, Best Film at the Los Angeles Latino Film Festival, and the Grand Jury Prize and OCIC Award at Amiens International Film Festival (France). Bajo was also shown at Sundance and the Toronto International Film Festival. Bolado is directing, editing and producing an experimental documentary feature called The Imaginary Line , now in post-production, that takes viewers on a fascinating journey along the entire length of the U.S.-Mexican border. Bolado is the recipient of a Fellowship from the Rockefeller/ MacArthur Foundation and belongs to the National System of Art Creators in Mexico. He was nominated for an Emmy for his editng of Promises. He will begin directing his next feature movie, “What God Knows,” in July. He will work with Diego Luna of “Y Tu Mama Tambien ” and Alice Braga of “City of God.”
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John Chater
John Chater is a freelance Director of Photography. Since starting out at the documentary department of the BBC in London 18 years ago, John has worked on hundreds of broadcast documentaries and filmed in over 30 countries. After moving to the US in 1992, he continues to work on films for PBS, HBO, National Geographic, Discovery, BBC and UK Channel 4. Films that he's been involved with have won numerous television and film festival awards. John graduated in 1991 from the University of Surrey with a first class BA (Honors) in Photography. Among is most recent feature length documentaries are The Future of Food and Small Ball: A Little League Story. From canola farmers in Saskatchewan to the corn fields of Oaxaca, this 90- minute The Future of Food explores how the biotech industries have hijacked the worlds food production and changed the way we eat. Small Ball: A Little League Story is a 90-minute PBS feature documentary which follows the incredible fortunes of a small local little league baseball team, all the way the World Series.
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Sophie Constantinou
Sophia Constantinou's work demonstrates an artistic commitment to representing diverse images of women and tackling controversial topics. As a director/producer, Constantinou's films have been recognized worldwide. Her documentary Trans , about a female-to- male transsexual, was incorporated into The Whitney Museum of American Art's program of lesbian genders. Her last experimental film, Impact Zone, was awarded the Best Experimental Film at the New York Underground Film Festival 1997, The Athena Award 1997 for Outstanding Filmmaking and was honored at the Pacific Film Archive in Berkeley. Her experimental documentary, Between the Lines, a film about women and self-injury, was awarded a Golden Spire by the San Francisco International Film Festival 1999. Her recent feature-length documentary, Divided Loyalties , an intensely personal film about the conflict in Cyprus won a Golden Gate Award. Constantinou's recent cinematography credits include HBO's Unchained Memories (2003), PBS's Presumed Guilty (2002) and KQED' s Emmy Award winning Home Front (2001). She complements her shooting with teaching filmmaking to under-represented teens and at-risk youth. She received her undergraduate degree in Film Studies from the University of California at Berkeley in 1989 and a Master's in Humanities from San Francisco State University in 1993.
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Gail Dolgin
Gail Dolgin is an independent documentary filmmaker living in Berkeley and working out of the Saul Zantz Film Center.  Most recently she produced and co-directed (with Vicente Franco) Daughter from Danang, winner of the Sundance Grand Jury Prize for Best Documentary, nominated for an Academy Award and broadcast on the PBS American Experience series. Originally from New York, Dolgin graduated from the University of Pennsylvania with a degree in Art History.  Returning to New York, she studied photography and joined Newsreel, a social issue driven film collective that launched her interest and ultimately her career in film.  The year was 1969, the issues were hot, and the place to be was San Francisco. (Her first visit to Berkeley was seen through a veil of tear gas.) Her path towards documentary filmmaking is a winding intersect of political activism, teaching, photography and storytelling with the bottom line being the desire to produce films of passion that stimulate viewer reaction.  Her producer-director credits include Cuba Va:  The Challenge of the Next Generation, New Bridges, Face to Face, and Why Vote. She was associate producer on the Academy Award nominated Forever Activists:  Stories of Veterans of the Abraham Lincoln Brigade and has produced and directed a number of educational/informational programs.
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Bob Elfstrom
Recognized as one of the most respected documentary cinematographers in the world, Robert Elfstrom's recent work includes photographing “ Finding Lucy ,” a portrait of Lucille Ball, for American Masters on PBS that won the Emmy for Best Documentary 2001. His work spans cultural, scientific, historical and political programming, including numerous episodes of Nova, Frontline and National Geographic . Elfstrom has worked with Bill Moyers on his PBS specials on addiction and on religion and with Tom Brokaw on his NBC primetime special on Bill Gates. He photographed NBC's Lifelines , a groundbreaking prime-time documentary series on hospitals often cited as the precursor of the drama series ER . Elfstrom also worked on the feature-length documentaries Gimme Shelter and Other Voices, the powerful Academy Award nominated verité film about schizophrenic teens.
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Jon Else
Jon Else, a professor of journalism at the University of California, Berkeley, is best known for his documentary, The Day After Trinity: J. Robert Oppenheimer and the Atomic Bomb, as well as Yosemite: The Fate of Heaven (produced for the Sundance Institute), and A Job At Ford's, part of the PBS series The Great Depression. He produced and directed Cadillac Desert: Water and the Transformation Of Nature, Sing Faster: The Stagehands' Ring Cycle and most recently, Open Outcry. He was series producer and cinematographer for Henry Hampton's Eyes On The Prize: America's Civil Rights Years, and has shot hundreds of documentaries for PBS, the BBC, ABC and HBO, including the BBC/PBS History Of Rock And Roll, Who Are The DeBolts (Academy Award 1976), and the new Paramount/MTV feature documentary, Tupac Resurrection. Else was a MacArthur Fellow from 1988 to 1993 and has won four National Emmys (for writing, producing, directing, and cinematography), several Columbia-DuPont and Peabody Awards as well as several Academy Award nominations, the Prix Italia, the Sundance Special Jury Prize and Sundance Filmmaker's Trophy. He graduated from the University of California in 1968 and earned a Master's in Communication from Stanford in 1974. He has just returned from doing camera work on a documentary about Afghanistan's constitutional Loya Jirga and is beginning a new film about nuclear weapons.
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Karen Everett
Karen Everett is an independent filmmaker living in San Francisco. Her award-winning documentaries and personal film memoirs have played in festivals worldwide, aired on television and are distributed to the educational and home video markets. She is currently directing a personal documentary, Many Ways to Fall, the intimate story of seven women navigating their love lives. Her first film, Framing Lesbian Fashion (1992 ), was broadcast on KQED and received the Best New Documentary nomination from the American Film Institute. Her other films include Sweet Boy (2001), entering the worldwide film festival circuit; My Femme Divine (1999), a personal documentary and winner of the Director's Award at the San Diego LGBT Film Festival, and I Shall Not Be Removed: The Life of Marlon Riggs (1996), a 60-minute biography broadcast on PBS from 1997 to 2000 and recipient of the Silver Apple Award from the National Educational Media Association and Best Documentary Nomination, Gay and Lesbian Alliance Against Defamation. Everett teaches editing at the Graduate School of Journalism at UC Berkeley, where she received her Master's degree in Journalism in 1991. She received her undergraduate degree from Smith College in 1987.
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Sam Green
Sam Green received his Master's degree in Journalism from the University of California at Berkeley where he studied documentary filmmaking with acclaimed filmmaker Marlon Riggs. His most recent documentary film, The Weather Underground, was nominated for an Academy Award, premiered at the 2003 Sundance Film Festival and will air on PBS this spring. Green's previous documentary, The Rainbow Man/John 3:16 , premiered at Sundance 1997 and screened at festivals worldwide, winning the Grand Prix at the USA Film Festival in Dallas and Best Documentary awards at the Ann Arbor Film Festival and the Underground Film Festival in New York and Chicago. Green teaches at the University of San Francisco and was recently an artist-in-residence at the Yerba Buena Center for the Arts in San Francisco and the Marin Headlands Center for the Arts in Sausalito.
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Vicki Funari
Vicky Funari is an independent filmmaker. She is currently producing and directing a documentary about women workers in Tijuana's assembly factories. Maquilopolos explores, through these women's eyes, how globalization transforms a city and its people. Funari produced, directed and edited the acclaimed non-fiction feature film Paulina , about a resilient Mexican woman whose parents traded her for land when she was a child. Paulina screened at the Sundance, Locarno, Havana and Amsterdam film festivals, among others, and received numerous awards, including a Grand Jury Prize at the 1998 San Francisco International Film Festival. Paulina screened theatrically in 1999 and aired on the Sundance Channel in 2000. Funari co-directed and edited the documentary Live Nude Girls Unite! a fierce and funny account of the first strippers' union in the USA. The film premiered at the 2000 SXSW Film Festival, won a Golden Spire and the Audience Award at the San Francisco International Film Festival, enjoyed a national theatrical release and aired on Cinemax in 2001. Funari also produced and directed SKIN-ES-THE-SI-A, an award-winning short experimental work that explores the cultural codification of the female body. Funari began her film work in 1985, as producer of the documentary Alternative Conceptions and as assistant director of the fiction feature film Working Girls , directed by Lizzie Borden. From 1996 - 2000, she served on the Board of Directors of the Latino media arts organization Cine Acción.
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Viven Hillgrove
Vivien Hillgrove has more than 32 years of experience as an editor for both narrative feature films and documentaries. She has edited six Documentary films by Lourdes Portillo including La Ofrenda: The Days of the Dead, The Devil Never Sleeps, Corpus: A Home Movie for Selena and Senorita Estravianda, which won a special jury prize at Sundance and the 2002 International Documentary Award. Her other documentary credits include Yakoana, First Person Plural (POV), Heart of the Sea (Independent Lens) and recently completed The Future of Food, an activism documentary advising the public on genetically modified food. The narrative feature films she has edited include Henry and June (picture editor), and The Unbearable Lightness of Being (picture editor and supervising dialogue editor) by Phil Kaufman and Hot Summer Winds (picture editor) for American Playhouse directed by Emiko Omori. She was dialogue editor on One From the Heart by Francis Ford Coppola, The Right Stuff by Phil Kaufman and Never Cry Wolf by Carroll Ballard. She was supervising dialogue editor for Blue Velvet by David Lynch, The Mosquito Coast by Peter Weir, and Amadeus by Milos Forman, which won 11 Academy Awards in 1984.
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Carrie Lozano
Carrie Lozano studied film and political science at the University of California at Berkeley with an emphasis in experimental and documentary film. She was a health care policy analyst for the federal government before entering the field of journalism. She is a freelance writer and the former editor of Film/Tape World magazine and has worked as a writer and editor for the San Francisco International Film Festival, San Francisco Lesbian and Gay Film Festival and the Mill Valley Film Festival. She will receive her master's degree in journalism from Berkeley in 2005.
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Frances Reid
Frances Reid has been producing, directing, and shooting documentary films for more than 30 years. Her most recent production, with Deborah Hoffmann, was Long Night's Journey Into Day: South Africa's Search for Truth and Reconciliation. It won the Grand Jury Award for Best Documentary at Sundance 2000, was nominated for an Academy Award in 2001, a DGA award in 2002, and has been exhibited at festivals worldwide, including the Jerusalem Film Festival 2000 where it won the In the Spirit of Freedom award. In 1995 she produced and directed Skin Deep, a film exploring race relations on college campuses. Skin Deep was broadcast nationally on PBS and is now in use by nearly 2,000 colleges and universities in the United States. In 1994 she received an Academy Award nomination for her documentary short Straight From The Heart. Additional producing and directing credits include such films as the groundbreaking documentary on lesbian mothers and child custody, In the Best Interests of the Children (1977), a Blue Ribbon Winner at the American Film Festival. Her film The Faces of AIDS (1992) won a First Place at the Black Filmmakers' Hall of Fame. Her cinematography credits include: The Times of Harvey Milk, Visions of the Spirit, The Ride to Wounded Knee an d Reno's Kids. She was also the cinematographer for Hoffmann's Complaints of a Dutiful Daughter. Reid is one of the original members of Iris Films, founded in 1975. Most recently she served on the Grand Jury for the 2002 Sundance Film Festival. She is a recipient of the James Phelan Art Award in Video.
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Kim Roberts
Kim Roberts is an Emmy-nominated editor of independent, feature documentaries. Her credits include: Lost Boys of Sudan, which won a 2004 Independent Spirit Award, is currently in theatrical distribution, and will be broadcast on POV in 2004; Daughter From Danang, which won the Sundance Grand Jury Prize in 2002, was nominated for an Academy Award, and was broadcast nationally on American Experience; Daddy & Papa, which also premiered at Sundance 2002, went on to win Best Documentary prizes at more than a dozen film festivals and was broadcast nationally on Independent Lens; The Wolf, which was produced by Jon Else's Center for New Documentary and broadcast nationally on CBS; Great Wall Across the Yangtze, which received a coveted independent national feed on PBS, and A Hard Straight, funded by ITVS, currently in post-production for release this year. She was the Second Editor on the Academy Award nominated Long Night's Journey Into Day (Grand Jury Prize winner at Sundance 2000). Roberts has also edited for the PBS series, Frontline World, and is a writer/director of both documentary and fiction films. Her first fiction feature, Wilderness Survival for Girls, will premiere at the IFP Los Angeles Film Festival in June. Her short films have won many awards, including a Student Academy Award and Golden Gate Award. Roberts received her Master's degree in Documentary Film Production at Stanford University.
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Jay Rosenblatt
A recipient of Guggenheim and Rockefeller Fellowships, Jay Rosenblatt has been making films since 1980. His films include: I Used to Be A Filmmaker, to be broadcast this year on HBO/Cinemax; Nine Lives (The Eternal Moment of Now ), winner of the Best Short Award at the Aspen Shortsfest; King of the Jews , screened at Sundance and recent winner of the Grand Prize at the USA Film Festival; Human Remains, the winner of 26 awards; The Smell of Burning Ants , winner of the Grand Prize at the 1995 Hamburg International Short Film Festival; Short of Breath; I Like it A Lot and Friend Good. One week after September 11th, Rosenblatt and fellow filmmaker Caveh Zahedi asked more than 150 experimental and documentary filmmakers to take part in a collective project about the events of that day and their aftermath. The result was Underground Zero , shown across the country and broadcast on Cinemax on September 11, 2002. In addition to co-producing the project, Rosenblatt contributed the film Prayer, screened at the Toronto International Film Festival, Tampere Film Festival and IDFA. Rosenblatt has taught film and video production at film schools throughout the Bay Area, including Stanford University, San Francisco State University, San Francisco Art Institute and the College of San Mateo. He has a Master's degree in Counseling Psychology and, in a former life, worked as a therapist.
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Kris Samuelson
Kris Samuelson has been an independent producer for thirty years. Her filmmaking credits include: Time Has No Sympathy, Arthur and Lillie, 2 A.M. Feeding, An Artist's Journey, Wrong Place, Wrong Time, Empire of the Moon, Riding the Tiger, and The World As We Know It. Her work has been broadcast on PBS and the Arts and Entertainment Network and screened at numerous film festivals, including the Sundance Film Festival, New York Film Festival, Ann Arbor Film Festival, San Francisco Film Festival (Special Jury Prize), British Short Film Festival, Mostra Internazionale de Montecatini, Athens Film Festival (Best of Category), and Charlotte Film Festival (Best Experimental Documentary). Samuelson was nominated (with Jon Else and Steve Kovacs) for an Academy Award for Arthur and Lillie and has received Artist's Fellowships from the National Endowment for the Arts and the California Arts Council. In addition to a Dean's Award for Distinguished Teaching, she has been awarded the Undergraduate Teaching Award in the Department of Communication and a Bing Teaching Award. She received her B.A. (cum laude) from the University of California at Los Angeles and has a Master’s in Communication from Stanford University. She is currently the Vice Chair of the Board of the Independent Television Service (ITVS) and the Director of the Documentary Film and Video Master of Arts Program at Stanford, where she is also a professor.
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Jason Spingarn-Koff
Jason Spingarn-Koff is a New York-based documentary filmmaker specializing in science and technology. His film Robofly, about the quest to build the world’s first robotic fly, was nationally broadcast on PBS and won a Student Emmy in 2001. He has produced and directed two documentary specials for MSNBC, hosted by Forrest Sawyer. Nature’s Weapon: The Hidden Plague investigated the history and threat of plague, from the Black Death to Soviet bioweapons. MSNBC Reports: The Next War explored how the U.S. military is adapting to fight a new type of warfare in the wake of 9/11. Most recently, he has been working for WGBH/NOVA as a development producer on a 6-part series about global public health. He received his Master's degree in Journalism from the University of California at Berkeley and a BA in History from Brown University.

Michael Smith
A journeyman documentary filmmaker with a seasoned knowledge of media production, Michael Smith studied under the late Marlon Riggs and MacArthur Fellow Jon Else while earning a Master's degree in Journalism at the University of California at Berkeley. His first work was Jesse's Gone, the story of a young African American hip hop artist who was killed in a drive-by shooting just when it seemed he was going to break into show business. Jesse's Gone characterizes Smith's ability to tell stories of sensitive human situations without sentimentality while at the same time achieving emotional impact. The production went on to win the top award in its category at the San Francisco International Film Festival and was honored by the National Black Programming Consortium and the IDA.   Jesse's Gone was broadcast on PBS and in the United Kingdom. Smith also has a track record of producing quality programming for commercial television.  As lead producer, he delivered programs to Court TV and A&E Television.  He has successfully produced in a wide range of physical and cultural environments, including Louisiana's death row, the Brazilian Amazon, Mexican countryside and urban American street corners.  In his most recent effort, Smith produced the Court TV Special, Al Roker Investigates: The Farmingville Incident . Scheduled during prime time, the program was an investigation of a brutal hate crime in Suffolk County, New York. He is currently producing an hour-long program for Discovery Health.
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Caveh Zahedi
Caveh Zahedi has been making autobiographical films for more than ten years. His first feature, A Little Stiff, re-enacted a crush he had had on an art student by using all of the actual participants to play themselves. It premiered at Sundance in 1991, was broadcast on German television and the Sundance Channel and was released on home video. His second feature, I Don't Hate Las Vegas Anymore, was a self-reflexive documentary in which he attempted to bond with his estranged father and teenage brother by getting them to take Ecstasy with him. It won the Critics' Award at the Rotterdam Film Festival in 1994 and was released on home video. His third feature, In the Bathtub of the World, was a video diary self-portrait chronicling the year 1999. It has been shown on the Independent Film Channel and has recently been released on DVD. His short films include: I Was Possessed By God, a cinema verite account of a five gram mushroom trip and The World is a Classroom, a cinema verite response to the events of September 11th. He has also acted in the films Waking Life, A Sign From God, and Citizen Ruth. He is currently in production on a film entitled I Am A Sex Addict.
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